The words of the wonderful author Junot Diaz strike me as appropriate and enlightening at a time when the debate over the representation of women and minorities in comic books is at a fever pitch:
“You guys know about vampires? You know, vampires have no reflections in a mirror? There’s this idea that monsters don’t have reflections in a mirror. And what I’ve always thought isn’t that monsters don’t have reflections in a mirror. It’s that if you want to make a human being into a monster, deny them, at the cultural level, any reflection of themselves. And growing up, I felt like a monster in some ways. I didn’t see myself reflected at all. I was like, “Yo, is something wrong with me? That the whole society seems to think that people like me don’t exist? And part of what inspired me, was this deep desire that before I died, I would make a couple of mirrors. That I would make some mirrors so that kids like me might seem themselves reflected back and might not feel so monstrous for it.”
I literally do not care what the Bible says about any political issue. I am not Christian. Christian scripture should have zero effect on my life or my personal freedoms.
The fact that I did not mention abortion anywhere in this post, yet the replies and reblogs are filled with Christians trying to “well actually” me and/or resorting to anti-choice insults is… telling, to say the least.
I love that queer can mean 'I don't know what I am'. I love that queer can mean 'it's none of your business what I am'. And i love that queer can mean 'I know exactly what I am, but it's a long list that I don't feel like reciting every time'.
*big sigh* *puts head in hands* heathens who’ve never watched pre-MCU sci-fi movies OR the unedited Star Wars movies, my beloathed
So first of all, most people agree that the majority of the “CGI fixes” in the Star Wars original trilogy (excluding minor visual/sound effects like lightsaber colors and blaster sounds) are unececssary, extremely conspicuous, and/or bad. This is not news to literally anyone older than about 20 who has consumed Star Wars content on any level. There are quite literally two very famous ‘despecialized’ fan projects explicitly dedicated to un-doing all of the shitty “fixed” CGI effects while simultaneously restoring the OT in HD.
And yes, I do, in fact, remember sci-fi special effects before CGI was the foundational cornerstone of moviemaking. It was not, in fact, shit:
Also, ironically I can show you by….*gasp* using fucking Star Wars, of all things. Welcome to the Tatooine pod race set of The Phantom Menace, which was not, as popularly believed, CGI’d but was instead a fully-built miniature set:
Yes, they built the entire set as a minature, built life-sized pod racers for the actors, then spliced the two together using digital effects. Yes, they did such a fantastic job that people think the entire set and scene sequence was basically completely CGI’d to this day. You’re fucking welcome for undervaluing the time, effort, and talents of set designers by implying that set design and practical effects inherently mean things will look like shit.
CGI also ages really poorly. What you think looks incredibly realistic now is going to look terrible in a few years. Just look at the original vs remastered Star Trek. They “restored” Star Trek around 2006 and replaced a lot of the practical effects with CGI, and maybe it looked ok in 2006, but it looks so bad and fake now.
In the 60s they built a whole model of the Enterprise, complete with blinking lights and beautifully sculpted/painted details. It looks stunning! Then they replaced it with that horribly smooth and fake looking cgi ship.
Just look at this beauty
You can see the model at the Air and Space Museum in DC
Unfortunately the remastered version is the only version available to stream, but you can still find DVDs with the original effect.
the designers worked with engineers at NASA to make realistic futuristic special effects using models and matte paintings no computer effects at all! - and incidentally inspired David Bowie to write Space Oddity, later performed in space by astronaut Chris Hadfield
The CGI of the original Jurassic Park may not be aging well (though arguably still better than some), but the practical effects will always look stunning.
This wild-looking shot (and similar manipulations) was famously achieved by having a professional juggler in a duplicate of Bowie’s jacket and gloves sitting behind him, basically with Bowie in his lap, doing the handwork while Bowie kept his arms behind the juggler. You may have seen a game based on this on Whose Line Is It Anyway.
This? Wires! Splicing! THE CGI TO DO THIS DIDN’T EXIST YET! (The juggler is hidden under the cape. If there’s a scene where he’s wearing a cape, that’s actually probably why.)
—CGI THAT WAS USED TO ERASE THE SHADOW FROM THE PRACTICAL EFFECT.
The shot itself hasn’t changed. The lift itself was done with wires and Bowie was given some propulsion with an air cannon so he could make that turn at speed. A minor amount of CGI was used in the 30th anniversary to “touch up” the work done in 1986, and one of the things they did was to remove a shadow on the wall from one of the wires.
You don’t know it, but you’re looking at a practical effect. In real life, the Ruby Slippers are almost orange. That luxe, rich ruby color showed up on the film as black when the shoes were the correct color, so the costumers adjusted the actual costume to give the color they wanted.
And this? This is where it would’ve been useful to have CGI. Margaret Hamilton got really badly burned on the steam doing one of her entrance/exits, and ended up in the hospital. THIS is what you use CGI for.
You come into my house and insult practical effects?
I’ll just finish off by reminding you THIS IS ONE, TOO.
That last one, iirc, was there was a double in a sepia-toned costume, and the interior door and wall there was painted brown, so when it was lit and shot it all appeared to still be in the sepia tone of the Kansas scenes, and part of why Dorothy stepped back out of the frame was so the double and Judy Garland (in the proper blue-and-white costume) could swap.
The real reason CGI has taken over is not because it creates better effects (although it is very useful!) but because it’s cheaper. The practical effects artists have union protections. CGI artists don’t.
you say “weeds” I say “widespread non-native edible plant and early-blooming pollinator resource that is not considered invasive because it behaves politely and does not cause deleterious ecological consequences”
there’s a special kind of grief you feel towards yourself when you’ve been mentally ill for as long as you remember. you see ppl saying they long to return to their old self but you don’t have an old self, or if there was, you can’t remember it. ur “old self” was a child. this self is all you’ve ever known. then there’s the fear that comes with trying to find out who you are without your mental illnesses, it’s all new to you and you don’t know if you’ll like who you’ll be
When we say make Pride more accessible we mean make sure disabled folks can actually enter the gay bar. (We see your doors with a lip on them.)
When we say make Pride more accessible we mean don’t pack people in and make it hard to move in mobility aids.
When we say make Pride more accessible we mean stop having Pride events that only happen on grass.
When we say make Pride more accessible we mean make sure all bathrooms are easily found and usable.
When we say make Pride more accessible we mean make sure we actually can sit somewhere if we need to. If all the seats are bar stools that is not helping or helpful.
When we say make Pride more accessible we mean don’t expect everyone can dance physically.
Stop using ‘that’s just how it’s always been’ as an excuse. Intersectionality in the community needs to be a thing.
Handicapped queer folk exist, too.
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Hold events that aren’t centered around drinking alcohol.
Hold events that don’t require staying out until late at night.
Make sure there are shaded and/or air conditioned areas nearby.
Use subtitles when screening films.
Keep open ground/floor spaces clear of obstacles that pose tripping hazards.